the vision(seedpod)cast
The Vision(Seedpod)Cast is a podcast birthed from the void—the fertile, formless space where inspiration takes root and ideas bloom into form. Here, we embrace the mystery of creation, diving into the unseen realms where the creative spirit stirs.
- Indexed episodes, last 90 days
- 3
- Latest publication
- Aug 6, 2026
- Audience
- Checking…
- Earliest in this view
- Jul 7, 2026
Latest episodes
21. Camila Rivera: Reclaiming the Voice as Safety, Pleasure, Embodiment (opens the original)
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The Visionseed Shed is your weekly space to sit down and make the damn art. Meditate, then body-double with other artists across disciplines. New themes every Wednesday. Great music. Guest facilitators and DJs. ”You came into this, this lovely meat suit to make the etheric heavy.” In this blindfolded, chakra-based journey into the void, Quincee sits down with Camila, through her roots, pleasure, radiance and devotion around the voice. Through her training as an opera singer, a seven-year break s
20. Mama Maweh: raw motherhood, art as advocacy, and reclaiming the earth voice (opens the original)
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The Visionseed shed is your weekly space to sit down and make the damn art. Meditate, then body-double with other artists across disciplines. New themes every Wednesday. Great music. Guest facilitators and DJs. https://stan.store/quinceelark/p/the-visionseed-shed ”We ask what Earth needs of us to create through our songs”. Mama Maweh is a mother, advocate for raw veganism, natural birth, and nature, human, and animal rights. She traces her earliest artistic roots to childhood and her grandmother
19. Izzy Ivy: Oracle Decks, Sacred Sites, and Remembering the Unseen (opens the original)
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“ something greater than me that was creating this” The Visionseed Oracle Deck is here to guide you deeper, only podcast listeners get %10 off (ends August 1st, 2026). Izzy shares her earliest art memory, growing up with artist parents, and discovering oil painting 13 years ago, which led to creating four oracle decks and writing the accompanying books, with two more decks in progress. She describes balancing daily painting with the ungrounding demands of admin and teaching, and says the “juicie
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