HeyJaredThe Rough Cut
The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.
- Indexed episodes, last 90 days
- 5
- Latest publication
- Sep 21, 2026
- Audience
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- Earliest in this view
- Jul 13, 2026
Latest episodes
The Musical (opens the original)
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Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy and middle-school theater into an increasingly elaborate act of revenge. For Devin, the project began years earlier when he edited the original AFI short that eventually became the feature, while Chris brought a background in comedy that includes Curb Your Enthusiasm , Dave and Blindspotting . Directed by Giselle Bonill
Finding Emily (opens the original)
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Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the difficult balance between letting a joke land and giving a relationship enough space to feel real. Working with director Alicia MacDonald, Phil helped shape a film that draws on the pleasures of the classic British rom-com while giving the genre a younger, more contemporary point of view. Directed by Alicia MacDonald and written by Ra
The End of Oak Street (opens the original)
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Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary suburban family and abruptly removes every familiar rule of the world around them. Working with writer-director David Robert Mitchell, John had to balance large-scale spectacle and mystery with a story that remains grounded in the relationships between the members of one family. Written and directed by David Robert Mitchell, The E
Spider-Man Brand New Day (opens the original)
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Spider-Man: Brand New Day Editors – Nat Sanders, ACE; Harry Yoon, ACE and Gina Sansom Spider-Man: Brand New Day editors Nat Sanders, ACE, Harry Yoon, ACE and Gina Sansom join The Rough Cut to discuss helping director Destin Daniel Cretton take Peter Parker into a deeper, more grounded chapter of his story. Nat and Gina began the film together during production, with Harry joining them for the director's cut, bringing together three editors who had each previously collaborated with Destin on proj
Avatar - The Last Airbender S2 (opens the original)
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Editor – Payton Koch For Avatar: The Last Airbender editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on Only Murders in the Building . The series has to move between large-scale action, visual effects, martial arts, comedy, mythology and coming-of-age drama, often within the same sequence. It also has to satisfy a fanbase that knows this world extremely well while still making the story accessible to viewers coming to it for the first
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