HeyJaredThe Film Scorer
The Film Scorer Podcast features a wide array of long-form interviews with film composers, including up-and-comers, established veterans, and everybody in between.
- Indexed episodes, last 90 days
- 5
- Latest publication
- Sep 6, 2026
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- Earliest in this view
- Jul 12, 2026
Latest episodes
Lorne Balfe (Mission: Impossible, Top Gun: Maverick) (opens the original)
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This week, Lorne Balfe joins me on The Film Scorer. Lorne has about two-hundred credits to his name across film, TV, and video games, including projects like Top Gun: Maverick, a couple Mission: Impossible films, The Crown, Assassin's Creed, Call of Duty, and a whole load more. Not a bad resume... Now, although he normally releases about ten scores a year, 2026 has been a much quieter year for him, conducting at the global tour of Top Gun: Maverick in Concert and working on the new adaptation of
Takeshi Furukawa (opens the original)
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Today, Takeshi Furukawa (Avatar: The Last Airbender, Star Wars: The Clone Wars) joins the show! Takeshi's latest projects have been scoring the both seasons of Netflix's live action version of Avatar: The Last Airbender as well as Planet of Lana II: Children of the Leaf, the sequel to the hit indie platformer Planet of Lana. It's no surprise, then, that we planned on talking about both Avatar and Planet of Lana II quite a bit, and we do get into them some. For Avatar, we primarily focused on the
Kara Talve (opens the original)
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Hard to believe that we're already about a quarter of the way through season 6 - feels like we've only just started. To commemorate this occasion, I'm joined by Kara Talve. Kara has been the principal composer of The Simpsons for the last few years, serves as the principal composer at Bleeding Fingers Music (the Hans Zimmer-founded composer collective), and has scored projects like Prehistoric Planet (and the upcoming Harry Potter series). In fact, we spend much of our conversation talking about
Gavin Brivik (opens the original)
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Gavin Brivik is the latest guest on The Film Scorer! I've been familiar with Gavin's work for quite a while, probably dating back to his score for the 2021 film Wild Indian, which was one of those situations where I hear someone making great music on under the radar indie films and wonder when they're going to break out. How to Blow Up a Pipeline helped put Gavin on the map while scoring seasons one and two of The Pitt has really changed things, earning him an Emmy nomination in the process. One
Keegan DeWitt Goes 'Off Campus' (opens the original)
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One of the great pleasures of this show is talking to people whose work I really enjoy. Although I'd known Keegan Dewitt's music for a number of years (probably first taking notice with 2018's Gemini), his score for last year's The Chair Company really floored me, with the distinct and ever-changing palette and approaches intriguing me almost as much as the show's labyrinthine plot. So with all that said, it's great to have Keegan on the show. However, we really focus on Keegan's latest project
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