The A24 Podcast
No host, no ads, no rules. From the people behind Everything Everywhere All At Once, Midsommar, Uncut Gems, HBO's Euphoria, Hereditary, Moonlight, and more.
- Indexed episodes, last 90 days
- 3
- Latest publication
- Sep 16, 2026
- Audience
- Checking…
- Earliest in this view
- Jul 16, 2026
Latest episodes
Big Weird Swings with Skyler Gisondo & Austin Abrams (opens the original)
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Topics include: Being former arch-nemeses, cutthroat Pizza Hut auditions, oceanic engineer parents, busking on Santa Monica promenade, childhood fixations on West Side Story and Happy Gilmore , shape-shifting performances, having an out-of-body experience working with Robert Pattinson on the first day of Primetime, Skyler “beaming like a maniac” watching Austin in a top-secret screening of Resident Evil , Lance Oppenheim’s deep collaboration, decapitated whale heads, shining Ryan Gosling’s shoes
First to Laugh with Matt Johnson & Stavros Halkias (opens the original)
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Topics covered include: Flat hierarchies, having little child liar’s brain, plausible deniability, the golden era of TI-83 calculators, Stavros’ first script “Greek Town,” creative interpretations of The Odyssey, spending three years developing a standup special, the magic of capturing something you can’t repeat, first impressions of Dominic Sessa on set of Tony , real life dynamics mirroring the film's cast, being as invincible as a Clorox bottle, Leo Woodall’s pitch perfect performance, and fi
Genuine Curiosity with Devonté Hynes & Thomas Bangalter (opens the original)
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Topcis covered include: Devonté’s cello score as the fifth lead in The Invite , Daft Punk working with an 85 piece orchestra on Tron: Legacy (also starring Olivia Wilde!), finding the magic chemistry between strings and dialogue, monophonic vs. polyphonic, a great note from a Disney executive, extreme precision, the true effort it takes to bring soul to synthesizers, composing the Mythologies ballet score before the choreography existed, Random Access Memories being made like a film without came
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