HeyJaredStudio Notes
Essays and studio notes by Dutch artist Bastiaan Woudt. On photography, books, editions, and the questions that don't disappear after the work is done.
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- Indexed issues, last 90 days
- 7
- Latest publication
- Sep 23, 2026
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- Aug 6, 2026
Latest issues
Ten years with Tino (opens the original)
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On Friday 30 October, I will be opening a new exhibition at the gallery in Alkmaar and would like to invite you to the opening. The exhibition brings together ten years of work with Tinotenda Mushore, my muse and the person who has appeared in front of my camera more than anyone else. The opening runs from 16:00 to 19:00, and everyone who comes will be given a copy of the catalogue we made for this show, to take home. Registration is required, and you can do so here: studiowoudt.com/events/openi
The Things We Share (opens the original)
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At the end of the summer, I spent a weekend away with a group of friends. The conversation turned to music and how valuable it is to have friends who introduce you to new music, broadening your horizons and sparking conversations about what you’ve heard. That evening, I said that you should share what you find with the friends and creatives around you, and that this newsletter is my way of doing exactly that. We listened to music for the rest of the night, and at some point, a friend played me a
How to Manage Your Time as a Creative (opens the original)
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<img alt="" class="sizing-normal" height="800" src="https://substackcdn.com/image/fetch/$s_!JP-L!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa84dbc12-2172-4821-b060-fb3150e5f963_1200x800.jpe
Come with me to Patagonia (opens the original)
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<img alt="" class="sizing-normal" height="976" src="https://substackcdn.com/image/fetch/$s_!pZZx!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fea6a81af-cc0c-4ede-b1b9-29ac174a98ce_2106x1412.pn
Build the list, not the following (opens the original)
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Most artists I know measure their audience by the number of followers they have. The number is visible, it increases, and it feels as though you have built it. I believed that, too, for years — until a company I had never spoken to made a decision about my business and refused to tell me why.I am in a position to compare the two sides of this. I handle my own sales in the Netherlands through Studio Woudt; for sales abroad, I work with galleries. I have been sending a newsletter since 2012. For y
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