HeyJaredSticky Jazz
Welcome to Sticky Jazz, the music show of a Million different opinions on music. I am Jeremy Hinks, a "Gonzo" music journalist in Salt Lake City Utah, I am also the music editor at large for the LGBTQ publication instinct magazine, (nice of them to let a straight guy write…
- Indexed episodes, last 90 days
- 8
- Latest publication
- Sep 30, 2026
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- Earliest in this view
- Jul 8, 2026
Latest episodes
Sticky Jazz Interview Ana Sky (opens the original)
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Alright, listen up. Ana Sky was minding her own business in a biology lab — California girl with a little Deutschland in the blood — when somebody played a tape of her singing. She didn’t even know the damn thing had been recorded. Twenty-four hours later she’s standing in a real studio, microphones hot, career officially off the rails in the best possible way. Her new EP *Prologue* is the proof. It’s got that deep, lived-in storytelling, the kind of lyrics that stick under your skin. We talked
Sticky Jazz Interview Jonny Couch (opens the original)
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Jonny Couch spent most of his career behind the kit, keeping time for other people’s songs. Then he decided the view from the back was no longer enough. He reinvented himself, stepped to the front, and started singing his own material with the kind of restless energy that only comes from someone who’s waited long enough. The sound he landed on is pure sugar-rush 1980s: new wave snap meeting big, grinning rock hooks — Cheap Trick’s swagger tangled up with The Cars’ cool precision. It’s the kind o
Sticky Jazz Interview James Bradley Jr (with Doc Decibel) (opens the original)
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James Bradley — just call him JBJ if you know what’s good for you — is one of those drummers who seems to have been born with sticks already in his hands and a grin that says the beat never stops. Before he even escaped high school he was already locked in with Chuck Mangione. From there it was a glorious, sweaty sprint through the Los Angeles punk-funk trenches with Mary’s Danish, The Beastie Boys and a thousand other projects that most mortals would kill to have on their résumé. The catalog is
Sticky Jazz Interview Wendy Bevan (opens the original)
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Step into the smoke-choked back alley of some half-remembered 1940s picture and you’ll find Wendy Bevan already waiting there, cigarette glowing like a dying star, voice curling out of the shadows before the picture even starts rolling. The English singer doesn’t just sound like Film Noir—she *is* it. That low, velvet-and-venom delivery pulls you into rain-slick streets and half-lit rooms long before any video ever hits the screen. You don’t watch her songs; you get abducted by them. She’s alrea
Sticky Jazz Interview The Rubin Brothers (opens the original)
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It's when you go to a concert that you know is going to be crazy, and before the main act even takes the stage, you are prepped by an opener that just knocks your socks off. That was my experience with "The Rubin Brothers", Colescott and AJ, two Boston based Vaudevillian performers when the warmed up for Haute & Freddy. They delighted the crowd with and old school circus performance, riding unicycles while playing a piccolo trumpet, and an upright bass. Nothing could have prepared us for that ev
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