Stephen Todd
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 6, 2026
- Outlet visibility, for AFR
- Top 50K sites
- Earliest in this view
- Aug 15, 2026
Latest articles
Step inside the homes of one of Paris’ hottest designers (opens the original)
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Flipping through Eighteen Interiors, the new monograph of celebrated Parisian interior designer Pierre Yovanovitch, the signs of a globally successful career are palpable. There’s a palatial Manhattan penthouse, a sprawling Parisian hotel, a tony London townhouse. Even Lasata, the storied East Hampton summer home of a young Jacqueline Kennedy Onassis (a mere Bouvier back then) has had the Yovanovitch wand waved over it. The sprawling American Arts and Crafts-style house was refitted by the inter
Step inside Melbourne’s most desirable mid-century homes (opens the original)
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When architect Rachel Hurst and her accountant husband Richard Wharldall decided to move from Adelaide to Melbourne, they originally thought to settle in the northern suburbs of Carlton or Fitzroy. Then, one day, they strayed into the lush gullies of Studley Park, which lead down to the Yarra River as it meanders its way through tranquil Kew. “You go through grungy old Abbotsford, cross the river and suddenly it’s like being in a forest setting,” she says. In between the lush greenery, extraordi
The architectural mavericks making a case for colourful cities (opens the original)
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There are few subjects that architects are more uncharacteristically shy about than colour. Buildings may cost hundreds of millions, involve heroic feats of engineering and consume years of professional existence, yet when the moment comes to choose their hue, the safe option most often prevails: some point along the greyscale. Chromatic Architecture: The Craft of Colour in Design, by London designer Adam Nathaniel Furman and American architecture journalist Kate Mazade, is an exuberant argument
How a squat concrete block became Dover Heights’ most desirable home (opens the original)
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Alexandra Donohoe Church can pinpoint the precise moment she twigged to the emotional power of an interior. The epiphany didn’t happen in some celebrated modernist house, nor in one of the meticulously detailed residences that have made her Sydney studio, Decus, a formidable name in luxury design. It was while she was watching The Wizard of Oz as a child. “That scene where everything goes from dark and moody to technicolour had a huge impact on my tiny mind,” she says. “It hit me viscerally, thi
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