HeyJaredSOUVENIR Magazine
Fiction, essay, critique, art, interview, reportage — A new literary & art magazine from Paris.
- Indexed issues, last 90 days
- 8
- Latest publication
- Sep 29, 2026
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- Earliest in this view
- Jul 7, 2026
Latest issues
CELEBRATE ISSUE NO. 3 OF SOUVENIR AT NANNA PÉNICHE ON THE SEINE (opens the original)
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<img alt="" class="sizing-normal" height="1827" src="https://substackcdn.com/image/fetch/$s_!Hvyj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb04931ff-160e-46a3-8f7c-b7b7d0d295bc_2451x3076.
COLLECTIVE REALITIES (opens the original)
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Photos by Pete KiehartText by Alexandra MarvarA man is fast asleep on a lime green tile bench in a Métro tunnel beneath Avenue de Laumière. He’s resting his head on his backpack, and using the tattered remnant of an advertising poster — featuring a woman’s bold red smile — as a blanket. Nearby, a panel of ads has been disfigured by the twin conditions of human intervention and passing time. It’s as if someone has sliced into the immaculately frosted cake of society to show its messy interior. Th
TURGID AND BAFFLING (opens the original)
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by Thomas Peermohamed Lambert<img alt="" class="sizing-normal" height="966" src="https://substackcdn.com/image/fetch/$s_!9Dqh!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaw
STUDIO VISIT: Hermès Mazlo, visual artist (opens the original)
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The following is a short interview of the painter Hermès Mazlo. It is part of a collaboration with our good friends at Mimosaa, a curated network for independent professionals in Paris.<img alt="" class="siz
SIX MIGHTA-BEENS (opens the original)
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by Ramya YandavaI will never forget the first time I saw the scene in Ingmar Bergman’s Persona, in which Alma tells Elisabet the story of her first love affair. Alma is on a beach, sunbathing nude with a friend, when two boys come up to them. One of the boys makes love to Alma’s friend, then to Alma. The other boy joins in. Sun, sand, bodies, boys — none of it is shown on screen. Instead we see only Alma’s face, the bedroom, Elisabet smoking in the shadows. A fissure is cleaved between cinema’s
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