SoundWorks Collection
The goal for the SoundWorks Collection is simple; we are dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions.
- Indexed episodes, last 90 days
- 2
- Latest publication
- Sep 22, 2026
- Audience
- Checking…
- Earliest in this view
- Aug 12, 2026
Latest episodes
The Sound of Backrooms (opens the original)
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Go behind the sound of the Backrooms with Re-Recording Mixer, Sound Designer & Supervising Sound Editor Eugenio Battaglia and Production Sound Mixer Jan Hetmer. In this SoundWorks Collection exclusive, Eugenio and Jan discuss the creative approach behind the film’s unsettling sonic world—from the intentionally sparse production sound and buzzing fluorescent lights to the use of silence, reverb, and spatial movement to build tension. We explore how the sound design gradually expands from a restra
The Sound of Spider-Noir (opens the original)
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The sound of Spider-Noir blends gritty period character with immersive mixing. Re-recording Mixer/Sound Designer Ryan Collins and Re-recording Mixer Nick Offord explore vintage dialogue treatments, atmospheric transitions, distinctive web effects, and inventive sonic details—including a unique sound for Spider-Sense—to create a fresh sonic identity for this new take on Spider-Man. The team also created a unique sonic identity for Spider-Man’s web powers, deliberately moving away from the familia
Publishing over time
Last 90 days. Choose a month to open its work.
Recurring subjects
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Audience
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About this data
Counts cover the work we have indexed. Tone needs enough text and a confident classification. Excerpts and episode notes are not full articles or transcripts.
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