HeyJaredSimon Vozick-Levinson
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 10, 2026
- Outlet visibility, for Rolling Stone Music
- Top 50K sites
- Earliest in this view
- Jul 9, 2026
Latest articles
Geese Never Thought They'd End Up Here (opens the original)
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Y ou can find almost anything your heart desires on the grounds of the Governors Ball. Rappers, pop stars, photo ops, and brand activations fill the sunny park in Queens where tens of thousands of young New Yorkers have gathered on the first weekend in June. There are weed-soda kiosks and artisanal hot-dog trucks, and every song you hear sounds like it might be the song of the summer. But you can’t find a satisfactory cup of coffee — at least, not if you’re Geese drummer Max Bassin. That’s why,
The War on Drugs Return, Not a Moment Too Soon, With 'Who's That' (opens the original)
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The last time the War on Drugs released a new song, it was 2022 and the band was taking a victory lap for its well-received album I Don’t Live Here Anymore. Four years later, we haven’t heard a peep from singer-songwriter Adam Granduciel and co. — but that’s changing today with the release of “Who’s That.” The band’s big return delivers everything a War on Drugs fan might be hoping for, especially if you’ve caught this song at one of their recent concerts. Granduciel, who wrote and produced the
The 'Unexpected Alchemy' and NYC Ghosts Behind Interpol's Return (opens the original)
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S omewhere along the way from the Mercury Lounge to the modern age, Interpol became the most reliable New York rock band of their generation. They’ve never broken up or imploded (though they’ve come close at least once), and they’ve kept to a steady cadence of one album every three or four years since their era-defining 2002 debut. All of which makes it feel like no surprise at all to press play on This Mirror Weighs a Ton, Interpol’s eighth studio album, and let the tunes pour forth, as excelle
Blur's Graham Coxon Remembers William Orbit: 'This Genius Tinged With Madness' (opens the original)
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The news last week that producer William Orbit had died at age 69 sent people back to revisit one of the most remarkable catalogs in Nineties pop. Along with Madonna’s “Ray of Light,” Orbit’s greatest achievement in the studio might have been producing Blur’s “13,” the sprawling, experimental 1999 album on which the British rock band exploded everything they were known for at that time, incorporating new electronic and noise influences. Blur first encountered Orbit when he contributed an eight-m
Where It's @: Get Familiar with the Incredible Band Whose Name Is a Symbol (opens the original)
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One of the best psych-folk albums of 2026 was made by a beekeeper and a part-time wizard. If that sounds like a joke, allow us to add some more context: They’re a duo from Philly who have built a seriously impressive word-of-mouth buzz since forming six years ago. The name of the band is @, like the punctuation symbol. If you’re talking about them out loud, you can just say “at.” This would be a good time to think about how to pronounce that name, because they’re about to have a lot more fans. A
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