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Sebastian Nagretshei

Sebastian Nagretshei, also known as Yi-Cheng Lin, is a tech-savvy composer with a background in AI music development.

Podcast · By Sebastian Nagretshei · English · Official site

Indexed episodes, last 90 days
3
Latest publication
Aug 28, 2026
Audience
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Earliest in this view
Jul 6, 2026
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Latest episodes

  1. Episode · Aug 28, 2026

    Taroko A Lullaby of Coastal Winds (Budget Speaker/Headphone Friendly) (opens the original)

    Episode notes · Positive tone

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    中文解說在文末 This work is about the relationship between people and nature. A lullaby is a mother’s song to her child. It is gentle and warm. The child rests in her arms, rocked slowly back and forth, until the body and mind grow quiet and fall asleep. In this piece, the mother gradually becomes nature, and perhaps even something divine. She is hidden in the wind, sea, mountains, and stars. Though unseen, her presence can be felt as both freedom and a quiet embrace. The music begins with the coastal

  2. Episode · Aug 28, 2026

    Taroko A Lullaby of Coastal Winds (for pro headphones/speakers) (opens the original)

    Episode notes · Positive tone

    Read excerpt

    中文解說在文末 **If your listening device has a strong high-frequency response, please use this link: https://on.soundcloud.com/uBDbQvD3XVJ6eK45Rp **如果你的聆聽設備高頻較多,請到此連結:https://on.soundcloud.com/uBDbQvD3XVJ6eK45Rp This work is about the relationship between people and nature. A lullaby is a mother’s song to her child. It is gentle and warm. The child rests in her arms, rocked slowly back and forth, until the body and mind grow quiet and fall asleep. In this piece, the mother gradually becomes nature, an

  3. Episode · Jul 6, 2026

    Whispers in the Stone Crevices for erhu (midi-mockup version) and electroacoustic (opens the original)

    Episode notes · Positive tone

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    《石縫間的低語》(為二胡與電聲)中文解說在文末 本作品由財團法⼈國家⽂化藝術基⾦會贊助 Whispers in the Stone Crevices (for Erhu and Electronics, ca. 10 minutes) Whispers in the Stone Crevices is a work for erhu and electronics inspired by the nearly imperceptible whispers emerging from the crevices of rocks, evoking the Earth's deep memory and the passage of time. The piece seeks to establish a subtle dialogue between the natural and the artificial, intertwining the expressive voice of a traditional instrument with electronic sound to ex

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