Sarah Moroz
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 29, 2026
- Outlet visibility, for observer.com
- Top 500K sites
- Earliest in this view
- Jul 7, 2026
Latest articles
Constantin Nitsche Wrestles with the Limits of Painting (opens the original)
Read excerpt
The artist Constantin Nitsche, who studied painting at the Kunstakademie Düsseldorf, works in a converted garage studio in Marseille’s 6th arrondissement. His latest exhibition, “Les mains” (“The Hands”), at Xavier Hufkens in Brussels, arrives three years after his debut show, “Oranges et Lavande.” Running through October 3, it takes its title from a letter Franz Kafka wrote to the Czech journalist Milena Jesenská, in which he says, “I can’t hold enough of you in my hands” (“Ich kann doch nicht
Daisy Dixon’s “Depraved” Grapples With the Art of Problematic Artists (opens the original)
Read excerpt
“Some artists are extraordinary, not just in their creative wisdom, but in their misdeeds,” writes Daisy Dixon in her book Depraved: The Story of Dangerous Art, which hit shelves last month. The painting featured on the cover of the U.S. edition of her book is The Rape of Europa by Titian, which hangs in the Isabella Stewart Gardner Museum. There’s a lot of overlap with Claire Dederer’s incredible book Monsters: A Fan’s Dilemma from 2024, but Dixon looks at art ranging from the “difficult pleasu
Catherine Opie’s Norwegian Landscapes Are Portraits in Disguise (opens the original)
Read excerpt
Photographer Catherine Opie might be known for her portraits of her queer community, her family, public figures, and sportsmanship, but she’s not hemmed in by anything. “Every body of work is connected, even though they might look very different from one another. But it’s all interconnected in this brain of mine,” the photographer said during a Zoom interview from her home base in Los Angeles. “Mountains Don’t Know Their Names” does indeed look very different from her other work. The exhibition
Grażyna Kulczyk Has Spent 50 Years Collecting Artists Who Were Difficult to Place (opens the original)
Read excerpt
Muzeum Susch is situated hours from Zurich in the Engadin Valley of the Swiss Alps: a rural region in a sequestered mountain location. The site re-occupies a 12th-century monastery that later became a brewery, and the discreet white architecture reflects a singular sense of place rooted in local geology. Approximately 10,000 tonnes of rock were excavated from the mountainside behind the buildings. Some interior galleries sit deep inside that excavation with walls of visibly exposed rock, and mus
Judy Glickman Lauder’s Vast Trove of Photography Is a Portrait of Its Collector (opens the original)
Read excerpt
A child of a photo enthusiast, Judy Glickman Lauder—the widow of billionaire art collector Leonard Lauder—has collected photographs since the 1970s. An exhibition of part of her collection is now touring the U.S., featuring some 100 prints by 50 artists, having kicked off this summer at the Southampton Arts Center in New York. Divided into eight thematic sections and curated by Anjuli Lebowitz, the selection includes work by eminent practitioners like Nan Goldin, Graciela Iturbide, Danny Lyon, S
Publishing over time
Last 90 days. Choose a month to open its work.
Recurring subjects
Named in the text we hold. One piece can cover several.
Audience
Top 500K sites
For observer.com, the outlet · Measured Aug 1, 2026
Website popularity band, not a count of readers or article views.
About this data
Counts cover the work we have indexed. Tone needs enough text and a confident classification. Excerpts and episode notes are not full articles or transcripts.
Identity or attribution wrong? Suggest a correction.