HeyJaredSam Inglis
- Indexed articles, last 90 days
- 13
- Latest publication
- Sep 17, 2026
- Outlet visibility, for Sound on Sound
- Top 500K sites
- Earliest in this view
- Jul 23, 2026
Latest articles
LEADER: Computer Concepts (opens the original)
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For most of us, a Mac or PC is the focal point of the studio. But it’s unlikely to be the only computer we use. Most digital audio processors are, by any meaningful definition, computers. Give them a keyboard and a screen and a conventional operating system, and they’d probably be capable of running Minecraft or sending emails. But from the user’s point of view, there’s a huge gulf between this type of product and, well, computers. A Mac or PC is designed to be open‑ended, adaptable, versatile.
Rupert Neve Designs MBP, 551 & 542 (opens the original)
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One of the biggest names in studio hardware has taken the plunge into software... If there’s one proposition that has always underpinned Rupert Neve Designs’ business, it’s that there is still a place for quality analogue gear in the 21st Century. Whether it’s a six‑figure console serving as the centrepiece of a recording studio, a 500‑series chassis being carried to location sessions, or a rackmount processor sweetening the lead vocal on a big‑name tour, RND have successfully convinced engineer
Building A Freelance Audio Career (opens the original)
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Michael J. Morgan joins Sam Inglis to discuss the practical challenges of working freelance in the audio industry, from setting rates and finding clients to building relationships and developing a sustainable business. Chapters 00:00 - Introduction 00:28 - Business Mentoring For Freelancers 07:43 - Modern Career Paths For Audio Engineers 09:51 - The Right Time To Go Freelance 13:19 - The Benefits Of Specialising 16:30 - The Role Of A Manager 21:24 - The Importance Of Networking 26:44 - Utilising
LEADER: Location Location Location (opens the original)
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Some of the most fun recording sessions I’ve been involved with have happened outside the studio. However, recording on location isn’t only fun. It’s also a great learning experience for everyone involved. Every guerrilla recording session I’ve done has taught me something of lasting value. Most of all, location recording brings home to me how much effect the immediate environment has on what gets recorded. I’m not just talking about acoustics here, although that’s undoubtedly important. I’m thi
Harrison Flex 10 (opens the original)
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With the Flex 10, Harrison’s designers have delivered features not usually found in a desktop interface, including transformer saturation and real VU meters. Music tech can be novel and exciting, but it can also be utilitarian. Audio interfaces usually fall under the latter umbrella, and that’s fine. We don’t want our audio interface to spring surprises or fuel creativity. We want it to funnel sound to and from our computer, with a minimum of fuss. However, audio interfaces are often paired with
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Top 500K sites
For Sound on Sound, the outlet · Measured Aug 1, 2026
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