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Radio Lear

Welcome to Radio Lear, a captivating exploration of sound and thought that transcends conventional boundaries. In our unique way we invite you to embark on a unique journey curated by Max Sturm, a visionary artist and Creative Director.

Podcast · By Radio Lear · British English · GB · Official site

Indexed episodes, last 90 days
3
Latest publication
Aug 27, 2026
Audience
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Earliest in this view
Jul 15, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest episodes

  1. Episode · Aug 27, 2026

    What Comes Back – The Space Between Passing and Beginning (opens the original)

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    There is a moment when a tree lets go of a leaf. From where we stand, it looks like an ending. Yet beneath the surface, the next season is already being prepared. In this episode of Headspace from Radio Lear, the music asks a simple question: what becomes possible when we recognise that passing and beginning belong to the same cycle? This is not an invitation to pretend that every change is welcome. It is a chance to listen to the space between holding on and moving forward: the interval in whic

  2. Episode · Aug 27, 2026

    The Kindness of Returning – A Weird Walk Through Songs That Carry Us Home (opens the original)

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    Lift the Latch. A garden gate lifts, clicks, and swings. Boots meet a damp path. Somewhere nearby, a blackbird tries one clear phrase after the rain. That is where The Kindness of Returning begins: not at a monument, a haunted ruin, or a place marked on a tourist map, but at an ordinary threshold. The route in this podcast mix is an imagined sound-walk. It leads through rain and fields, towards open water, and eventually back to the garden. Its landmarks are songs. Many of those songs carry diff

  3. Episode · Jul 15, 2026

    Listening Without Resolution (opens the original)

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    This mix moves through ambient suspension, fractured electronics, field recording, art rock and early machine music. Without spoken commentary, the connections between the tracks are carried by texture, rhythm, contrast and atmosphere. The listener is left to encounter the sequence directly, without being told what it means. That absence of explanation creates its own question: does music become more open when interpretation is withheld, or do we simply project more of ourselves into it? Memory

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