HeyJaredPhotoPedagogy
Reflections on photography and education. A mixture of the personal and professional. A place to think and share.
- Indexed issues, last 90 days
- 11
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- Sep 9, 2026
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- Jul 15, 2026
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Walking with Guido #10 (opens the original)
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We were in Peckham recently and my wife needed the loo. The nearest one was in the bar next to the Copeland Gallery. I sat down to wait for her and change a roll of film. Then I noticed the gallery door was open.The show was called human : being, put on by a collective called dg03, eleven recent MA graduates from the London College of Communication and a few guests, friends who had decided to keep their practice alive together after
From the PhotoPedagogy Bookshelf (opens the original)
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The Brutalist has been sitting in my Apple TV library for over a year. I finally got around to watching it this week, maybe prompted by return visits to the Barbican and Erno Goldfinger’s house. It’s hard to make interesting images of such iconic buildings. How do you avoid convention and cliché? The Brutalist opens inside a ship’s dark hold and cl
Six Memos for the Future of Photography (opens the original)
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This is the final post in a short series responding to Italo Calvino’s Six Memos for the Next Millennium. Links to previous posts can be found at the bottom of this one.In recent weeks I’ve found myself doing one of two things. Either spending a whole day carrying a camera and not making any pictures or deciding not to take a camera and spending the whole day looking for photographs I can’t make. When I have a camera I look hard, frame a few things, focus carefully, g
Six Memos for the Future of Photography (opens the original)
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This post is part of a short series responding to Italo Calvino’s Six Memos for the Next Millennium.I taught my first ever lesson from a slide carousel. I was twenty-two, halfway through a literature and art history MA, when I was recruited by a local college of art and design to teach a course on Victorian painting. I was a callow postgraduate who knew less about the subject than I pretended. Each week I would go to the slide library, select the images I needed, load the mounts
Six Memos for the Future of Photography (opens the original)
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This post is part of a short series responding to Italo Calvino’s Six Memos for the Next Millennium.In his talk about Visibility, Calvino refers to Dante who, during the Purgatorio “is presented with scenes that act as quotations or representations.” Calvino is interested in these mental images, things seen in the mind rather than with the eyes. Images formed by the imagination, “high fantasy”. There are two kinds: images that are promoted b
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