On The Box: The BritBox Podcast
TV obsessives, this is your backstage pass to the best of BritBox and beyond.On The Box: The BritBox Podcast is your weekly deep dive into the very best of BritBox and the TV pop culture shaping screens on both sides of the Atlantic.Hosted by broadcasting legend Edith Bowman…
- Indexed episodes, last 90 days
- 3
- Latest publication
- Jul 20, 2026
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- Earliest in this view
- Jul 6, 2026
Latest episodes
David Morrissey ON...breaking world records with Edith (opens the original)
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Put the tissues away. It's the last episode of season one. But we are finishing up the series with bonafide national treasure, David Morrissey! The star of Sherwood, The Walking Dead and so many other incredible shows joins Edith and Michelle to discuss all things about his brand new series, Gone . The trio also talk about David being real life neighbors with Alan Cumming, what it's like working with Aimee Lou Wood and a small snippet into the upcoming Sam Mendes' Beatles biopics. And they also
Jane Tranter ON Having The Attitude of A Pit Pony (opens the original)
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It’s an unmissable episode of On The Box as Edith and Michelle are joined by the executive producer behind The Other Bennet Sister, Jane Tranter. Jane shares all about getting the arduous journey of getting a show like “TOBS” off the ground, reviving Doctor Who for the BBC, how her ability to “speak HBO” helped sell Succession and Industry to American commissioners and how she fell into a brief foray of scripted reality when she first moved to LA . Hosts: Edith Bowman and Michelle Collins Produc
Brenda Blethyn ON Singing Opera On A Boat With Anjelica Huston (opens the original)
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This week, Edith and Michelle are in the presence of a British Television Royalty as they’re joined by the one-and-only Brenda Blethyn. Brenda drops by to talk about her role in the gripping new BritBox drama A Woman of Substance , how she forged out her acting career through success in amateur dramatics, answers a special guest question from by Edith’s dad (a certified Vera superfan), and explains why sometimes you might think your performance has moved the audience to tears, but they're actual
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