HeyJaredNOICE Magazine
NOICE is a photography publication and community for photographers that have a meticulous eye for form, beauty, symmetry, novelty, and humour.
- Indexed issues, last 90 days
- 14
- Latest publication
- Sep 28, 2026
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- Earliest in this view
- Jul 16, 2026
Latest issues
Feature: Dimitris Fotiadis (opens the original)
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Daimonos explores a moment in which faith begins to dissolve and something older slowly returns.Christian symbols appear throughout the series: the cross, the lamb, incense, fire, ritual objects and gestures of sacrifice. Yet these symbols no longer seem completely stable. The cross becomes blurred and distant. The lamb carries both innocence and the possibility of sacrifice. Smoke rises like prayer, but gradually loses its religious certainty. The sacred remains present, though its meaning begi
Feature: Ishay Lindenberg (opens the original)
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Bodies slip behind fabric and paper. Objects split, peel, and disappear into growth. Across the sequence, the photographs move between bodies and the surfaces around them, through moments of hiding, change, and partial visibility, before returning to a single eye looking out through a doorway.<div class="image2-inset"
Learning Restraint in Photography (opens the original)
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1 : When Old Work Starts to Feel WrongOne of the clearest signs of growth as a photographer is when you revisit older edits and feel disconnected from them. Not because the photographs are bad, but because your eye has changed. What once felt strong may now feel overworked, heavy-handed, or forced.That discomfort is important. It means your perception is evolving.2 : Developing an Eye for RestraintAs photographers grow, editing usually becomes less about adding and more about refining. You begin
Feature: Alejandro Acevedo (opens the original)
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Espacios ( Spaces) is a very personal series related to two events that turned the quiet practice of photography into an alternative way of life: moving to a city like Havana and being diagnosed with otosclerosis, with no immediate solution. I began to observe the city with the detachment and expectation (or estrangement) of someone who does not belong to it. The gradual loss of my hearing led me into a certain degree of social isolation, and my perception became increasingly dependent on the vi
Feature: James Mazey (opens the original)
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An exploration of the traps and consequences of modern living. Where we see the escalation of luxury and convenience over meaningful connection, discarded on the side of the street. Force fed over consumption, the masses join the queue to buy things they don’t need with money they don’t have. The powers that be want more more more and the numbers must increase year on year on year. There are no signs of slowing because we’re enslaved to the idea that if you’re not keeping up then you’re missing
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