Morrissey, Ringleader of The Tormentors
A place for habitués of the world of Morrissey and his former band, The Smiths.
- Indexed issues, last 90 days
- 13
- Latest publication
- Sep 29, 2026
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- Earliest in this view
- Aug 9, 2026
Latest issues
What Difference Does It Make? (opens the original)
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<img alt="" class="sizing-normal" height="600" src="https://substackcdn.com/image/fetch/$s_!STGD!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc6ce3c1-f468-439a-963b-8e0f2f7ea0ef_600x600.jpeg"
Frankly, Mr. Shankly (opens the original)
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Recordings and ReleaseThe path to the finished recording of “Frankly, Mr. Shankly” was a decidedly peripatetic one, taking the song through three studios, several iterations and a change of recording engineer before the version eventually heard on The Queen Is Dead finally emerged. Johnny Marr wrote the music in the summer of 1985 during a particularly productive burst of songwriting. He later recalled that “Frankly, Mr. Shankly” was one of three songs he wrote in a single night, alongside “I Kn
Death Of A Disco Dancer (opens the original)
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Origins The third track on the Smiths’ final studio album, Strangeways, Here We Come, “Death of a Disco Dancer” is distinguished by its dark, experimental sound, with echoes of the Beatles’ more adventurous late-1960s work, as well as by being the only Smiths song to feature Morrissey playing a musical instrument.The song is believed to have taken shape either shortly before or during the March–April 1987 sessions for Strangeways, Here We Come at Wool Hall Studios in Bath, England, where Stephen
William, It Was Really Nothing (opens the original)
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Panic (opens the original)
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<img alt="" class="sizing-normal" height="500" src="https://substackcdn.com/image/fetch/$s_!1Nwb!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd12f134b-b951-4f19-ac8d-8156c8e4ebc1_500x500.jpeg"
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