Maer Roshan
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 15, 2026
- Outlet visibility, for The Hollywood Reporter
- Top 10K sites
- Earliest in this view
- Jul 24, 2026
Latest articles
Ian Schrager Goes Public: “There’s Nothing More Boring Than a Room Full of Rich People” (opens the original)
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Ian Schrager has spent nearly half a century inventing places people remember more vividly than the things they did inside them. With his late partner Steve Rubell, the Brooklyn-bred impresario compressed a cultural epoch into Studio 54’s 33-month original run — and then, improbably, did it again in a second industry. Morgans, which he opened in 1984 in New York, is generally credited with inventing the boutique hotel; the Royalton, the Paramount, the Delano and the Mondrian followed, and with t
The Joke’s On Us. Literally (opens the original)
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It’s been another long, hot summer here at THR, action-packed and chock-full of accolades: a record 44 Southern California Journalism Awards, a Webby for best website and a brand-new ASME newly crowding the fireplace mantle at THR HQ. Then, a couple of months ago, another honor arrived that somehow feels even more flattering. We got lampooned by a bunch of college kids. Polybagged with this issue, you’ll find The Harvard Lampoon‘s loving parody of The Hollywood Reporter, and its skewering of the
Wives Out! The OG Housewives Come Clean on Surviving 20 Years as TV’s Most Unkillable Franchise and Why They Can’t Quit Bravo (or Andy Cohen) (opens the original)
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Twenty years ago, when a group of affluent women behind the gates of an Orange County community agreed to let a few Handycams follow them around, nobody imagined they were inaugurating one of the most durable — and consequential — institutions in American popular culture. Least of all the women themselves. The franchise that would redefine reality television began almost by accident. Scott Dunlop wasn’t looking for America’s next great soap opera. He wanted to document life behind the gates of C
Editor’s Letter: Team THR’s Golden Summer (opens the original)
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Awards have always been a bedrock of our coverage at The Hollywood Reporter. We devote an enormous amount of time, energy and ink to the Oscars, the Emmys and the many other statuettes that crowd the Hollywood calendar each year. When I first arrived at THR a few years ago, fresh to the trades, I was struck by the money, manpower and near-religious fervor Hollywood devotes to awards. Was this simply another symptom of an industry endlessly fascinated with itself? At a moment of profound uncertai
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