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Leah Ollman

Reporter · US

Indexed articles, last 90 days
3
Latest publication
Sep 30, 2026
Outlet visibility, for LA Times News
Top 10K sites
Earliest in this view
Aug 25, 2026

Latest articles

  1. Article · Sep 30, 2026 · Leah Ollman

    14 under-the-radar art shows that add an extra kick to fall (opens the original)

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    The gallery and institutional shows opening this fall are the best, rarest kind of feast: one that rewards ambitious, voracious appetites and doesn’t punish overindulgence. The only guide you need for fall entertainment. This new season is particularly robust in its offerings. Making a short list of top exhibitions for the recent Fall Arts Preview wasn’t difficult; keeping the list short was the real challenge. What follows is an extended menu of promising and piquant options, more and more but

  2. Article · Sep 3, 2026 · Leah Ollman

    16 ambitious art shows to see in and around L.A. this fall (opens the original)

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    Keeping the doors open and the personnel paid and the programs running and the scholarship supported is not a minor miracle for museums these days but a major one. The current economic and political climate has been oppressive, to put it mildly. Many institutions are struggling to stay afloat and make good on their mandates. The only guide you need for fall entertainment. 6:01 p.m. Sept. 3, 2026A previous version of the entry on ‘Roy DeCarava: the sound i saw’ at David Zwirner Gallery said that

  3. Article · Aug 25, 2026 · Leah Ollman

    Review: Eileen Cowin is a 'wry disruptor' in expansive new LACMA retrospective (opens the original)

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    This is read by an automated voice. Please report any issues or inconsistencies here. See more from the L.A. Times in Google Search. Set us as preferred “Between Panic and Paradise,” Eileen Cowin’s penetrating retrospective at LACMA, begins in the present, with large, recent color photographs and her newest work, a stirring video. The show then veers back to early work, photographic transparencies with magazine transfers made in the late 1960s and early ‘70s, and continues, gallery by gallery, o

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