HeyJaredJonathan Jones
- Indexed articles, last 90 days
- 47
- Latest publication
- Sep 30, 2026
- Outlet visibility, for Guardian UK
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- Jul 9, 2026
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Renoir and Love review â âThe happiest exhibition of the year! Et pourqoui pas?â (opens the original)
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National Gallery, LondonGrab your straw boater â and revel in these light-as-souffle masterpieces that celebrate lifeâs pleasures, from picnics to dances to frolics in the bushes âThey knew how to enjoy themselves,â David Hockney once told me, gleefully pointing out the cigarette and cigar butts littering the ground under Renoirâs dancers. There are broken clay-pipes too beneath the swirling pink skirts and blue trousers of the couple in his tall, narrow 1883 canvas Dance at Bougival a
Renoir and Love review – the happiest exhibition of the year! Et pourqoui pas? - AOL (opens the original)
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‘They knew how to enjoy themselves,” David Hockney once told me, gleefully pointing out the cigarette and cigar butts littering the ground under Renoir’s dancers. There are broken clay-pipes too beneath the swirling pink skirts and blue trousers of the couple in his tall, narrow 1883 canvas Dance at Bougival as they bring their faces close, placing their arms around each other and pirouetting in the soft, airy space Renoir makes you feel as well as see. It’s an outdoor afternoon dance enclosed b
Painting the French Riviera review â about as erotic and glamorous as a wet day in Margate (opens the original)
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Royal Academy of Arts, LondonTheyâve marginalised Matisse and given Picasso the cold shoulder â and whatâs left seems more informed by pedantic geography than sensual art The French Riviera is not a place. It is a dream of paradise, one of those Arcadias we long for â timeless, perfect worlds saturated with light. In the modern age, artists found theirs in the south of France. Yet this exhibition misses the point entirely. Instead of the modern myth of the Med, what we get here is a peda
Painting the French Riviera review – about as erotic and glamorous as a wet day in Margate - AOL (opens the original)
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The French Riviera is not a place. It is a dream of paradise, one of those Arcadias we long for – timeless, perfect worlds saturated with light. In the modern age, artists found theirs in the south of France. Yet this exhibition misses the point entirely. Instead of the modern myth of the Med, what we get here is a pedantic obsession with the geography of France’s southern coast. Artists get rewarded for which bit of it they painted. This leads to some serious distortions. The neo-impressionists
Korea review â a nirvana of wild beauty shattered by the 20th century (opens the original)
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British Museum, LondonThe staggering resourcefulness and fantastic originality of bygone artisans is showcased in earthenware so exquisite it will soothe your soul. But a lurch into the modern breaks the spell Can they do it again? The runaway success of the Bayeux tapestry has put the British Museum in a league of its own, perhaps making it, at this moment, the leading museum on earth â and itâs rapidly following up with Korea, a survey of â2,000 years of creativityâ in a land that, bef
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