John Rhodes
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 27, 2026
- Outlet visibility, for Seenandheard International
- Top 5M sites
- Earliest in this view
- Sep 9, 2026
Latest articles
Luxury War Requiem starts the new London Philharmonic season as Gardner pulls out all the stops – Seen and Heard International (opens the original)
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United Kingdom Britten, War Requiem: Natalya Romania (soprano), Paul Appleby (tenor), Benjamin Appl (baritone), London Philharmonic Choir (chorus director: Madeleine Venner), London Symphony Chorus (chorus director: Mariana Rosas), Tiffin Boys’ Choir and Girls’ Choir (director: James Day). London Philharmonic Orchestra / Edward Gardner (conductor). Royal Festival Hall, London, 26.9.2026. (JR) This was a luxury War Requiem in all ways: an orchestra in top form relishing a new season, two fine cho
Arcangelo and team of baroque-specialist soloists impress with refined Mass in B minor at the Proms – Seen and Heard International (opens the original)
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United Kingdom BBC Proms 2026 [30] – Bach, Mass in B minor: Jeanine De Bique (soprano), Eva Zaïcik (soprano), Hugh Cutting (countertenor), Nick Pritchard (tenor), Florian Störtz (bass-baritone), Arcangelo / Jonathan Cohen (director/harpsichord). Royal Albert Hall, London 10.9.2026. (JR) As so often the case, as the BBC Proms sadly draw to their end in September, we hear some of the very finest concerts and ensembles. Founded in 2010, Arcangelo is an acclaimed period-performance ensemble led by i
Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom – Seen and Heard International (opens the original)
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United Kingdom BBC Proms 2026 [29] – Schumann: Isabelle Faust (violin), Freiburg Baroque Orchestra / Sir Simon Rattle (conductor), Royal Albert Hall, London 7.9.2026. (JR) Schumann – Genoveva – Overture; Violin Concerto; Symphony No.2 The esteemed Freiburg Baroque Orchestra are no strangers to the BBC Proms, though their last visit was over ten years ago: this was, however, their first appearance in London under Sir Simon Rattle, who has formed a close relationship with the orchestra. This conce
Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike – Seen and Heard International (opens the original)
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United Kingdom Holy Fool (a play by Rosalind Adler and Lea Sellers): Park Theatre, Finsbury Park, London, 3.9.2026. (JR) At the height of Stalin’s regime, Dmitri Shostakovich walked a perilous tightrope. Under the constant threat of torture, exile to Siberia or even death, he appeased – but also resisted – a brutal despot. Outwardly compliant, inwardly defiant, Shostakovich composed in code: music that concealed as much as it revealed. There have been a number of books on the subject, mainly of
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