HeyJaredJeff Ihaza
- Indexed articles, last 90 days
- 27
- Latest publication
- Sep 30, 2026
- Outlet visibility, for Rolling Stone Music
- Top 50K sites
- Earliest in this view
- Jul 6, 2026
Latest articles
Can Outkast Make Ovrkast Change His Name? A Trademark Expert Explains (opens the original)
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As the legendary duo and the up-and-coming rapper clash over a name, we asked a Harvard Law professor what it would take to win in court Frazer Harrison/Getty Images for RRHOF; Gary Gershoff/Getty Images Outkast’s lawsuit against Ovrkast asks how much difference a few letters make. The duo’s trademark company argues that the younger rapper’s name is confusingly similar to theirs. Rebecca Tushnet, a Harvard Law professor who studies trademark law, isn’t convinced. “I’m sort of skeptical of the un
Can Outkast Make Ovrkast Change His Name? A Trademark Expert Explains (opens the original)
Read excerpt
Outkast’s lawsuit against Ovrkast asks how much difference a few letters make. The duo’s trademark company argues that the younger rapper’s name is confusingly similar to theirs. Rebecca Tushnet, a Harvard Law professor who studies trademark law, isn’t convinced. “I’m sort of skeptical of the underlying claim in part because both of these words, when spelled correctly, are completely standard English words with very different meanings,” she tells Rolling Stone. “And I don’t think that you want t
On 'Cocoon', Yeat Returns to Familiar Territory With Mostly Dull Results (opens the original)
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A few months ago, on his March release ADL, California-born rapper-producer Yeat took a by now predictable leap toward more traditional pop sounds. While not as craven as a full-scale switch-up, it was clear the 26-year-old wanted a bigger audience and was willing to make himself a little more palatable to get there. His latest, the compact, seven-track EP Cocoon, appears on the surface to be a return to form, though its barely 17-minute run exposes how little he has left to do with the sounds h
Everybody Likes Drake Again. That Means We’re Healing (opens the original)
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For a while, playing Drake’s music felt like taking a moral position. Now, with his chart comeback and Fear of Missing Out on the way, it’s time to rethink his downfall Drake onstage in Toronto last year Sammy Kogan/The Canadian Press/AP Not to be dramatic or anything, but not too long ago, listening to people talk about Drake, you’d think he would never top the charts again. But here we are: With Iceman, he’s broken his own record, earning a 13th week atop Billboard’s Top R&B/Hip-Hop Albums cha
Everybody Likes Drake Again. That Means We're Healing (opens the original)
Read excerpt
Not to be dramatic or anything, but not too long ago, listening to people talk about Drake, you’d think he would never top the charts again. But here we are: With Iceman, he’s broken his own record, earning a 13th week atop Billboard’s Top R&B/Hip-Hop Albums chart on Sept. 5, surpassing Take Care’s 12-week run more than a decade ago. The achievement comes after the great rap civil war of 2024, which was framed as everything from a referendum on Drake’s character as a human being to a cleansing o
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For Rolling Stone Music, the outlet · Measured Aug 1, 2026
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