Intuitive Screenwriting
Screenwriter and author of Intuitive Screenwriting, a holistic approach to storytelling built on archetypes and the deeper structures behind the Hero’s Journey — blending analysis, inspiration, and practical tools for writers.
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- Sep 21, 2026
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How to Reveal the Reasons Behind Suffering (opens the original)
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Better to let the guilty go free than to punish the innocent.The previous post introduced Reasons Behind Suffering, Stage 5 in my series on the twelve stages of feature film structure. Each theoretical text in the series is followed by a film analysis showing how that archetypal stage works in practice. The formula for Stage 5 is:Sage (SELF) Persona → Destroyer (SOUL) ShadowThe des
Self-Love VS Self-Destruction, The Middle of Act Two (opens the original)
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The Intuitive Screenwriting Wheel suggests that every story unfolds through twelve archetypal stages, or, more precisely, twenty-four steps, each stage corresponding to approximately ten minutes (or pages) of a 120-minute film.As you know, every stage is dual in nature, like a coin that shows one side first, while the other is always implied. The Persona of the Defining archetype is challenged by the Shadow of its Opposing archetype. These twelve coins keep flipping back and forth until the very
How to Introduce Love: From the Lover Persona to the Caregiver Shadow (opens the original)
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To the films discussed in the previous post as examples of the Lover → Caregiver dynamic at the beginning of Act II, I would add four more: Eyes Wide Shut, Vertigo, Mirror, and Being There. Each of them shows a different way in which the possibility of love activates the Caregiver Shadow.<a class="image-link image2 is-viewable-img" href="https://substackcdn.com/image/fetch/$s_!3r6W!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3
Love Introduced (opens the original)
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With the transition from Fire to Earth, the way the elements of the psyche relate to one another changes, and the psyche itself changes course on its path of transformation. In Fire, identity is unstable, the heart awakens through projection, and the hero decides to move forward.In the first encounter with Earth, that movement takes shape in reality. Through projection, the hero’s soul now asks: How will I live? How will my wish become real? It is therefore no coincidence that through the Lover,
How to Write the First-Act Turning Point: From Action Toward a New Self to the Anarchy of the Soul (opens the original)
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In the previous essay, we defined the complete theoretical architecture of the Better Life Is Possible stage: its structural function, archetypal conflict, and direct path into plot. Here we move from theory to practice. Across six films from different archetypal genres, the circumstances change according to the thematic axis, yet the underlying movement remains the same: the hero takes action toward a new vision of the self, while the Magician
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