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In a Letter, by Naz Riahi

Each post is a letter to you, from me, about life and all that it encompasses. The gritty and the sweet. Art and love and dying and everything else.

Newsletter · By Naz Riahi (she/her) · Official site

Indexed issues, last 90 days
4
Latest publication
Sep 25, 2026
Audience
Checking…
Earliest in this view
Jul 17, 2026

Latest issues

  1. Issue · Sep 25, 2026

    Encounters with Men (opens the original)

    Excerpt · Positive tone

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    <img alt="An Old Olive Tree in Kaubar Village" class="sizing-normal" height="464" src="https://substackcdn.com/image/fetch/$s_!6mGf!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb7ef2e9a-87d2-4

  2. Issue · Sep 10, 2026

    A Letter to Cyndi Lauper by Wes Hoye (opens the original)

    Excerpt · Positive tone

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    <img alt="Cyndi Lauper's Beauty Rules | Vogue" class="sizing-normal" height="1746" src="https://substackcdn.com/image/fetch/$s_!uNBG!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd77af0d8-937

  3. Issue · Aug 29, 2026

    Writer Laurie Woolever Answers the Rejection Questionnaire (opens the original)

    Excerpt · Positive tone

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    Hi everyone! I’m really excited about this rejection questionnaire (and you’ll see why when you read it), but first: I’m teaching a really great short story class, this October. It’s the last Prompting class of the year and there are a few spots left. Writing (and reading) short stories is a pleasure you can only truly understand in doing it. For this class, you can be total novice or an experienced writer and you will surprise yourself in a very wonderful ways (trust me, all of the former stude

  4. Issue · Jul 17, 2026

    Painter Tom Burckhardt Answers the Rejection Questionnaire (opens the original)

    Excerpt · Positive tone

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    Tom and I met almost two years ago at Yaddo, an artist residency in upstate New York. While there, I was really wrestling with my work (the first draft of a novel) in a hideous way that made me feel, at every step, like a fraud. The whole process was so painful. And then I’d visit Tom in his studio and it was such a contrast. The lightness of the space and the joy of his work were palpable.He had dozens of ink jars, all deeply saturated colors that I wished were my tools instead of a computer. H

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