HeyJaredFree Range Writing
Reflections and observations of freelance poet and literary biographer.
- Indexed issues, last 90 days
- 3
- Latest publication
- Aug 25, 2026
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- Earliest in this view
- Jul 21, 2026
Latest issues
Poetry Boom and Bust (opens the original)
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<img alt="" class="sizing-normal" height="1266" src="https://substackcdn.com/image/fetch/$s_!g6Sz!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe777e4c9-7def-47a7-bfb3-2cfae627a06b_1863x1620.
The Robot Will See You Now, Sir (opens the original)
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<img alt="" class="sizing-normal" height="818.5260989010989" src="https://substackcdn.com/image/fetch/$s_!lsh6!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F34a852fb-4e6e-49f8-9aa8-4691c78be7
Saying please and thank you (opens the original)
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If you pick up a well-known poetry collection from the past 50 years or so you may well find at the back an Acknowledgements section or you might not. I just pulled a random four titles off the shelf to my right [the “L’s” and the “Ms”] and see that Philip Larkin’s The Whitsun Weddings has no acknowledgements; Jamie McKendrick’s The Sirocco Room has a plain list of where some of the poems appeared as does Derek Mahon’s Lives. Michael Longley’s The Slain Birds has actually two pages of acknowledg
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