everyoneisugly
fiction and essays about little violences of everyday life, and also the relationship between money and art
- Indexed issues, last 90 days
- 7
- Latest publication
- Aug 28, 2026
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- Earliest in this view
- Jul 6, 2026
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Your Dating Memes are a Psyop (opens the original)
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This summer I’ve drifted away from a particular group chat, the kind of chat between three or four friends that still has the name of an event we all went to years ago. I have not been much online, but the content, my friends sharing memes by women creators about how dating is a drag, also feels more and more strange to my lived reality. The latest shared post is a carousel of eighteen images, a woman explaining exactly how and why her life is better now that she has decentered men, is protectin
Indirect Kiss (opens the original)
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<img alt="" class="sizing-normal" height="1033" src="https://substackcdn.com/image/fetch/$s_!JGnR!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff1959206-f8b2-4c4f-a634-6c01ad45fea0_2100x1490.
Style for Substance (opens the original)
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<img alt="" class="sizing-normal" height="965" src="https://substackcdn.com/image/fetch/$s_!UOHD!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F545175ec-19ec-42e3-94f0-b7078d8a4b00_2560x1696.a
On waiting for the sun - (opens the original)
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Last year after Christopher Street Day, named for the site of the Stonewall Inn, I wrote a terrible poem about the beauty of it all: to walk in the sunshine, dancing to Britney and Bad Bunny, to pass so close to where the Wall had been and instead feel nothing but freedom. We walked and danced until our feet were sore and swollen, and we lingered until the last song played at the Brandenburg Gate. I don’t remember how we got home safely, but we did, and we slept well and had a lazy breakfast in
I've Been Tired (opens the original)
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I can’t bring myself to call Fenix Flexin a musician, but journalist Andrew Callahan, in a recent video from Channel 5, gives him the benefit of the doubt, indulging in his posing to an almost comic extreme. Callahan delicately dances around the allegations that Fenix Flexin and his collaborators have used AI to generate everything in their latest tracks, from the beats to the lyrics, and as in many of his interviews, this feels like a necessity. At the slightest hint of a critique, Fenix et al
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