HeyJaredEmily Nussbaum
- Indexed articles, last 90 days
- 4
- Latest publication
- Sep 24, 2026
- Outlet visibility, for The New Yorker
- Top 50K sites
- Earliest in this view
- Jul 9, 2026
Latest articles
Gut Renos of Ionesco and Chekhov (opens the original)
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Igor Golyak’s “Delirium,” a madcap, sneakily emotional reinvention of the 1962 Eugène Ionesco play “Frenzy for Two, or More,” opens with an alarming tableau: a dust-coated man is lying face down, crushed by a heavy door that covers his back like a turtle’s shell. He wears an infantry helmet but also a fancy suit with a cummerbund, and after wriggling out from under the door he props it up so that it faces him, knocks on it in a panic, and finally “breaks in” to the room he’s created. Then, makin
Seeing It All Hang Out at the Fringe (opens the original)
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The strangest, most beautiful thing I saw at the Edinburgh Festival Fringe felt less like theatre than like mass hypnosis. In the silky, largely wordless “Dracula: Lucy’s Dream,” by the French-Norwegian troupe Plexus Polaire, Bram Stoker’s orange-haired Victorian waif Lucy, her body jellyfished into a loose nightgown, gets stalked and bitten by Dracula night after night as she darts among drifting monoliths. But the viewer is quickly disoriented, thrown by the presence of at least three Lucys on
Jane Wickline Is Down to Clown in âDukesâ (opens the original)
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The night that I attended Jane Wickline and Liva Pierceâs goofball, lo-fi musical-comedy act, âDukes,â currently playing at the SoHo Playhouse, the space was muggy and uncomfortable, the air still smoky from wildfires up in Canada. But, though the atmosphere felt dystopian, the crowd was buoyant, and also unusually young for a New York theatre audienceâelder Gen Z-ers with funky hair, baggy pants, and puppyish energy. They were indistinguishable from the showâs two stars, who sat quiet
âBirthrightâ and âGiantâ Tackle Jewish Identity (opens the original)
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The Oakland-based playwright Jonathan Spector wrote âBirthrightââhis warm, haimish, ultimately frustrating new dramaâon a dare. Weeks after October 7, 2023, Spector was âcajoledâ by a peer to dig into the generational fracture among American Jews, a split that deepened precipitously after the catastrophes in Israel and Gaza. At first, Spector said no. Who could blame him? The risks included glibness and finger-wagging, not to mention the danger suggested by the metal detectors outsid
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For The New Yorker, the outlet · Measured Aug 1, 2026
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