Embodied Living - Julia Rymut
Writing. Somatic practices. Deep Listening. Explore the connection between our bodies and our inner lives.
- Indexed issues, last 90 days
- 14
- Latest publication
- Sep 28, 2026
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- Earliest in this view
- Jul 16, 2026
Latest issues
Changing Course (opens the original)
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What happens when the river or path you've been on takes an abrupt or unexpected turn? Or what happens when you decide to head off the familiar road and explore a different way. Today, and I talk about changing course.NOTE: This will be the last episode of Threshold for the time being. We’re taking the winter to ponder new possibilities. Stay tuned to hear about our next projects.Join us for this final (for now) episode of Threshold.
Seeing things as they are (opens the original)
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How often do you look at ordinary objects and really see them? To take in the contour, the vibration, the nuance of that object and add nothing from your own filter?In this episode of Threshold, and I sit with a quote from Chögyam Trungpa and consider whether imposing our own filter on reality is a kind of aggression to it.I must admit, thinking that my filter on reality as aggressive has opened my eyes in very uncomfortable ways.“When we begin to perceive our phenomenal world, we do not perceiv
Ghosts in the Ikea Cubby (opens the original)
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Art, patronage, and why artists are just like us (opens the original)
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I’ve had Covid this week. To my knowledge, this is the first time I’ve had it. I know I’m late to the party (so late that I can be considered retro in the illness department) but wow! Covid is a virus that knows what it’s doing. The experience was very interesting for several reasons. One is that I could sense how much the virus operated in my nervous system as much as my respiratory one. For example, I kept feeling like I had to pee—not like I had a UTI—just that it was time for a bathroom brea
Does your tea set make you feel posh? (opens the original)
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What does my tea set have to say?They were a gift, his big, calloused fingers holding the delicate pottery as he presented them. He was cautious. Delicate. As if they were tiny eggs about to hatch. The cups were small, like tennis balls cut in half, and in the same deep blue as the teapot. The glaze was shiny and smooth, too shiny, really. Too perfect. It was glaze without imperfections, so different from myself. And the color was deep, deep blue—gazing into the Mediterranean blue. Impossibly bl
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