HeyJaredEddy Frankel
- Indexed articles, last 90 days
- 21
- Latest publication
- Sep 30, 2026
- Outlet visibility, for Guardian UK News
- Top 1K sites
- Earliest in this view
- Jul 15, 2026
Latest articles
Explosions of colour, cold war paranoia and hyper-erotic intimacy: five free shows to see (opens the original)
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In a new series, we review the best art exhibitions currently showing in commercial galleries, where entrance is free Walking into Gabriel Orozco’s show is like waking up with a headache and trying to piece together whatever the hell you did last night. Everything in the Mexican conceptualist’s exhibition is splintered, disjointed, a history you can’t make sense of. There’s a round of applause as you walk in, but the ovation morphs into the sound of rain. There are recognisable things here – car
Explosions of colour, cold war paranoia and hyper-erotic intimacy: five free shows to see - AOL (opens the original)
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Walking into Gabriel Orozco’s show is like waking up with a headache and trying to piece together whatever the hell you did last night. Everything in the Mexican conceptualist’s exhibition is splintered, disjointed, a history you can’t make sense of. There’s a round of applause as you walk in, but the ovation morphs into the sound of rain. There are recognisable things here – cars, a football, cigarettes – but they don’t make sense. They’re suspended mid-air, broken into pieces, flipped upside d
Beverly Buchanan review – ramshackle mini barns and shanties bursting with brutal history - AOL (opens the original)
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When she was a kid, Beverly Buchanan visited tenant farmers and sharecroppers across the American south-east with her dad. There in the fields she saw shacks and sheds, shanties and shotgun houses. More than 100 years after the abolition of slavery, she saw in this rough improvised architecture a symbol of survival and perseverance, of a people making their own way against the odds. Buchanan spent the rest of her life – a life marked by multiple chronic illnesses before she died in 2015 – transl
Quentin Bell and Olivia Sterling review â two artists with a magic touch (opens the original)
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Charleston, LewesBellâs strange and charming ceramics celebrate a life dedicated to creativity, while next door Sterlingâs bawdier, weirder paintings form a critique of race and power Quentin Bell was not a great artist, but that didnât stop him. He saw the world as a magical place. The ceramicist (son of the Bloomsbury groupâs Vanessa Bell; biographer of his aunt Virginia Woolf) spent his life lost in a world of magic, myth, newts in ponds, levitating women and knights on horseback. He
Quentin Bell and Olivia Sterling review – two artists with a magic touch - AOL (opens the original)
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Quentin Bell was not a great artist, but that didn’t stop him. He saw the world as a magical place. The ceramicist (son of the Bloomsbury group’s Vanessa Bell; biographer of his aunt Virginia Woolf) spent his life lost in a world of magic, myth, newts in ponds, levitating women and knights on horseback. He died in 1996, leaving behind decades of pots, plates, figurines and drawings filled with wonder and amazement. It all started when Bell was nine years old. Taken to a magic show by some relati
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