Dubstack’s Substack
Wrongtom's irregularly regular newsletter featuring long interviews and conversations with various artists, articles, mixes, playlists, edits, unreleased dubs and brand new tracks.
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- Aug 24, 2026
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Chapter 53: Discombobulation, Rules The Nation (opens the original)
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It’s the last stretch of the school holidays, and all I can really say is I’m discombobulated. So discombobulated, in fact, I just had to double check that discombobulated is an actual word. Which it is, of course, but I didn’t know it’s considered an orphaned word due to a lack of “discombobulate” in use in the modern lexicon. To be honest, I’ve rarely heard it used beyond the opening verse of ‘White Girl’ by Soul Coughing, and amongst the handful of Soul Coughing fanatics I call my friends.I a
Chapter 52: Toomorrow’s World (opens the original)
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Back in the summer of 2022, when COVID masks were mostly off, Boris Johnson had just resigned, and Twitter wasn’t awash with nazis and porn-bots, the news came in of the passing of Olivia Newton-John after a 3 decade battle with cancer.The tributes came thick and fast, mostly referencing cardio-banger ‘Let’s Get Physical’ and the second best film in the Grease franchise, but one pivotal piece from Olivia’s oeuvre was sadly missing from the collective fanfare.<a class="image-link image2 is-viewab
Chapter 51: She Spreads Her Dubbin' All Over... (opens the original)
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Greetings from the apex of school holidays.We’re just over three weeks into the summer break which began with a gaggle of kids talking me into carrying a pile of spaghetti to the woods in an effort to summon an inter-dimensional dream demon. Parmesan was grated while the kids chanted incantations, and I’m still not certain if they achieved their goal, but thanks in part to an almost relentless streak of punishingly hot days, rendering my loft studio almost unbearable to enter, I feel like I’ve b
Chapter 50: No Dub Required (opens the original)
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Around this time last year I was in the studio at Soho Radio, a few episodes into my monthly show, and I’d invited my old mate Richard Archer in for a chat. Aside celebrating 20 years of Hard-Fi’s debut album, we went down a few unexpected rabbit holes of synth pop, free jazz, cumbia and Richard’s lesser mentioned b-movie soundtrack career in the years before the band took off.It also marked exactly 40 years since the release of ‘Take Me Home’ by Phil Collins, an artist who, despite decades of u
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