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De Onzichtbare Collectie

Marres, Huis voor Hedendaagse Cultuur in Maastricht, is een internationaal georiënteerde presentatie-instelling waar hedendaagse kunst in de breedste zin van het woord wordt onderzocht aan de hand van tentoonstellingen, workshops, publicaties en een rijk publieks- en…

Podcast · By Marres, Huis voor Hedendaagse Cultuur · Dutch · Official site

Indexed episodes, last 90 days
3
Latest publication
Jul 29, 2026
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Jul 22, 2026
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Latest episodes

  1. Episode · Jul 29, 2026

    #79 Nieuwe Verlangens, MABA by Celina Eceiza (opens the original)

    Episode notes · Neutral tone

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    Celina Eceiza (Argentina, 1988) lives and works in Buenos Aires. From October 3, 2026 through January 3, 2027, her solo exhibition Rubyfruit Jungle will be on view at Marres: immersive, tactile environment that unfolds like a pleasure garden filled with textile delights. Created in collaboration with a broad network of craftspeople, the exhibition brings together murals, drawings, garments, sculptures, and textile works into one large-scale installation. Inspired by a number of works from the Li

  2. Episode · Jul 29, 2026

    #78 Lieve Moeder, Wonne by Celina Eceiza (opens the original)

    Episode notes · Neutral tone

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    Celina Eceiza (Argentina, 1988) lives and works in Buenos Aires. From October 3, 2026 through January 3, 2027, her solo exhibition Rubyfruit Jungle will be on view at Marres: immersive, tactile environment that unfolds like a pleasure garden filled with textile delights. Created in collaboration with a broad network of craftspeople, the exhibition brings together murals, drawings, garments, sculptures, and textile works into one large-scale installation. Inspired by a number of works from the Li

  3. Episode · Jul 22, 2026

    #77 Grimaces et Misères van Fernand Pelez door Marloes Ijpelaar (opens the original)

    Episode notes · Neutral tone

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    Marloes IJpelaar is schrijver, acteur, regisseur en medeoprichter van Club Lam. Club Lam is een feministisch gezelschap dat theater, film, tekst, beeld en andere disciplines samenbrengt in brutale, scherpe en speelse voorstellingen. Samen met Ayla Çekin Satijn en Ella Kamerbeek maakt ze werk dat vrouwelijke perspectieven centraal stelt en verhalen hervertelt die te lang door mannen zijn gedomineerd. Tijdens de Limburg Biënnale is een door Club Lam gecureerde ruimte in Odapark (Venray) te zien t/

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