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David NiceMonday

Reporter · GB

Indexed articles, last 90 days
3
Latest publication
Aug 17, 2026
Outlet visibility, for Theartsdesk
Top 5M sites
Earliest in this view
Jul 27, 2026
The latest indexed work is over 30 days old. There may be a gap in what we hold.

Latest articles

  1. Article · Aug 17, 2026 · by David NiceMonday, 17 August 2026

    BBC Proms: Ferrández, RPO, Petrenko review - perfection in sound and togetherness (opens the original)

    Excerpt · Positive tone · English

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    We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. It's a reviewer's unkind luxury to moan about having to sit through yet another performance of Elgar's Cello Concerto simply to hear a rarer work; there will always be audience members, especially among the 5000 in the Royal Albert Hall, who'll never have heard the conc

  2. Article · Aug 16, 2026 · by David NiceMonday, 17 August 2026

    BBC Proms: Berlioz Requiem, LSO, Pappano review - maximal orchestra and chorus, musical minimalism (opens the original)

    Excerpt · English

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    We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. So much has vanished from my memory of the time I had a half-season Arena Proms pass back in 1982, but not the performance of Berlioz's Requiem (Grande Messe des Morts) with the four brass bands placed at compass points of the Albert Hall, emulating the composer's origi

  3. Article · Jul 27, 2026 · by David NiceMonday, 27 July 2026

    BBC Proms: Jussen Brothers, CBSO, Yamada review - razor-sharp Poulenc, soft-focus Adams (opens the original)

    Excerpt · Positive tone · English

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    We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. You never quite know what to expect from the acoustics of the Royal Albert Hall. It was hard to credit the total focus Kazuki Yamada drew from his City of Birmingham Symphony Orchestra right from the start of Poulenc's Sinfonietta - a precision which carried through to

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