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Damon Smith

Reporter · GB

Indexed articles, last 90 days
3
Latest publication
Sep 25, 2026
Outlet visibility, for Irish News
Top 50K sites
Earliest in this view
Jul 10, 2026

Latest articles

  1. Article · Sep 25, 2026 · By Damon Smith

    Brad Pitt and four-legged friend battle the elements in new survival thriller Heart of The Beast (opens the original)

    Excerpt · Positive tone · English

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    Owning a pet is a special kind of love story, every bit as intense as matters of the human heart. Director David Ayer’s slow-burning survival thriller cherishes the deep bond between a retired US army special forces operative and a German Shepherd, who served alongside him, as they navigate a treacherous snow-laden wilderness to find their way back to humanity. Mother Nature is every bit as merciless and unforgiving as the enemies who appear in blurry flashbacks to their hellish tours of duty.

  2. Article · Jul 17, 2026 · By Damon Smith

    The Odyssey review: Christopher Nolan’s epic gallop through bloodthirsty Greek history is ‘jaw-dropping’ (opens the original)

    Excerpt · Positive tone · English

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    Bigger had always meant better to Oscar-winning writer-director Christopher Nolan, a passionate advocate of the large screen IMAX format since he began shooting with high-resolution cameras almost 20 years ago on The Dark Knight. That steadfast devotion to the most immersive cinematic experience crescendos with a visually stunning adaptation of Homer’s epic poem dating back more than 2,500 years. The Odyssey is the first film shot entirely on IMAX cameras and Nolan’s sprawling adventure take

  3. Article · Jul 10, 2026 · By Damon Smith

    Review: Crowd-pleasing live action remake of Moana offers splashy, musical fun (opens the original)

    Excerpt · Positive tone · English

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    A mere 10 years after the Oscar-nominated animation first set sail for heart-tugging adventure, a spirited live-action version of Moana adopts the almost-shot-for-shot approach of the recent How To Train Your Dragon remake with similarly crowd-pleasing results. Splashy in every sense, director Thomas Kail’s harpoons the same emotional beats as its predecessor and welcomes back Dwayne Johnson as amusingly self-absorbed demi-god Maui replete with sentient tattoos that act as his conscience. Self

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