D.r. Lewis
- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 18, 2026
- Outlet visibility, for Washington City Paper
- Top 5M sites
- Earliest in this view
- Jul 24, 2026
Latest articles
Woolly’s Venus Asks: Would You Kill for a Great First Date? (opens the original)
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Gen Z is too afraid to date! People don’t mingle in bars anymore! Everyone’s got their face buried in their phones! Vats of ink have been spilled on requiems for courtship, and playwright Steve Yockey adds surrealist fuel to the fire with Venus, a new play running at Woolly Mammoth Theatre Company through Oct. 4, that asks: Would you kill for a great first date? Would you die for one? We find Beth (Kimberly Gilbert) and Nicole (Regina Aquino)—or rather they find us—in a purgatorial space where t
Signature’s Merrily We Roll Along Does Roll On In Spite of Itself (opens the original)
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No one wrote ambivalence like composer Stephen Sondheim, which makes his and George Furth’s Merrily We Roll Along stand apart in its prescriptive reckoning with the unchecked pursuit of fame and fortune. “How did you get to be here?” the ensemble sings pointedly at its sellout lead character, leaving little question for the audience that we’re about to be told exactly how. But with the legend of the musical’s fraught history hanging overhead, and despite four decades’ worth of valiant attempts t
Happenstance Theater’s Adrift Finds Delight in Disaster (opens the original)
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There’s a bit of flag-based choreography in Happenstance Theater’s Adrift: A Medieval Wayward Folly, playing at Round House Theatre through Aug. 2, that deliciously encapsulates humanity’s enduring, centuries-long struggle to be taken seriously. The long white swath dances regally in the breeze before caressing its proud bearer’s face. Before long, though, it’s clinging annoyingly to his lips, then naughtily encroaching on a fellow traveler’s personal space. The characters hardly notice, but acr
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