HeyJaredConversation Piece
Articles & photographs based on studio visits and conversations with artists and writers
- Indexed issues, last 90 days
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- Sep 8, 2026
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- Aug 5, 2026
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The Signifier and the Signified, in the Language of Colour (opens the original)
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<img alt="" class="sizing-normal" height="973" src="https://substackcdn.com/image/fetch/$s_!C2Uw!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fed299147-7038-4a3b-9f22-edc241fd16f4_1600x1069.h
Making art¡ (opens the original)
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Tomos is an artist living and creating in Cardiff, although he’d rather describe himself as a ‘maker’. We first met in Venice during the Biennale in 2016; where Tomos was overseeing us invigilators at the Stephen Chambers’ ‘The Court of Redondo’ exhibition, held in a beautiful palazzo by the Grand Canal. Venice has a special place in Tomos’ heart and as I learned during our conversation it is often those ‘heart-places’ that inspire his work.<a class="image-link image2 is-viewable-img" href="http
Quiescence · (opens the original)
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I first saw Anushiye’s work on the Cardiff gallery G39 website and subsequently on her own. A collection of drawings, performances, writings: a subterranean exploration of identity and complexity of womanhood, motherhood, of community and belonging. Anushiye was very warm when approached and she agreed to for Max and I to visit her studio, that as she made clear from her messages, was not a ‘studio’ but was more simply her ‘room’.A few weeks later we met in a green part of Cardiff on what was a
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