HeyJaredCharlotte Higgins
- Indexed articles, last 90 days
- 12
- Latest publication
- Sep 14, 2026
- Outlet visibility, for The Guardian
- Top 1K sites
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- Jul 12, 2026
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‘We are not scared,’ says top EU diplomat after Russian strike on passenger train - AOL (opens the original)
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Europe needs to show it will not be “scared off” in supporting Ukraine, the EU’s chief diplomat said, after a Russian drone hit a passenger train on the country’s border with Poland shortly after a convoy of high-level diplomats and former leaders had passed through. The earlier train, which was carrying the former UK prime minister Boris Johnson and the former CIA chief David Petraeus and running ahead of schedule, may have been the target of the Russian drone strike, Ukrainian Railways has sai
Bayeux tapestrymania has gripped Britain. But what does it say about our own age of war and upheaval? | Charlotte Higgins (opens the original)
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The tapestry is drawing crowds to the British Museum – and each person who sees it will draw a different meaning from this epic, vivid artwork I have seen the Bayeux tapestry four times since childhood, and loved it on each viewing, for the sheer miracle of its survival and the glorious vividness of its detail. But the fourth time, earlier this week, was different – how could it not be? Tapestrymania has taken hold in London. The textile has been proffered as a diplomatic symbol, the occasion fo
When does rage help us, and when does it harm us? Ukraine has taught me the answers | Charlotte Higgins (opens the original)
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Fury at Russia’s death and destruction has fuelled art, action and resistance. But eventually, rage’s fire is all-consuming Twice, I have heard Ukrainians perform Verdi’s Requiem. Once in Lviv, last Maundy Thursday, and once last month, under the great dome of St Paul’s Cathedral in London. In St Paul’s, performed by the Ukrainian Freedom Orchestra with the Philharmonia Chorus, the great Dies irae – “day of anger” – unfurled in an operatic gale of fury, reverberating so powerfully around Wren’s
The ear witness: Turner-winner Lawrence Abu Hamdan and his âsound evidenceâ exposés of human rights abuses (opens the original)
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From killings in Gaza to the alleged use of a sonic weapon on a vigil in Belgrade, the Lebanese-British artist reveals how his work for activist group Earshot is inseparable from his art Lawrence Abu Hamdan has a double identity. He is an artist who, in 2019, jointly won the Turner prize; and one of his works is, for my money, among the most striking on show at this yearâs Venice Biennale. But he is also the director of a young NGO, founded in 2023, called Earshot, which investigates human rig
The ear witness: Turner-winner Lawrence Abu Hamdan and his ‘sound evidence’ exposés of human rights abuses - AOL (opens the original)
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Lawrence Abu Hamdan has a double identity. He is an artist who, in 2019, jointly won the Turner prize; and one of his works is, for my money, among the most striking on show at this year’s Venice Biennale. But he is also the director of a young NGO, founded in 2023, called Earshot, which investigates human rights abuses using sound evidence. In less euphemistic language, that means, on occasion, investigating horrific killings. He and his team might analyse the direction and position of bullets
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