HeyJaredCharles Mcnulty
- Indexed articles, last 90 days
- 9
- Latest publication
- Sep 18, 2026
- Outlet visibility, for Los Angeles Times
- Top 10K sites
- Earliest in this view
- Jul 16, 2026
Latest articles
Review: Anita Hill and Christine Blasey Ford testify again in 'The Ford/Hill Project' (opens the original)
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This is read by an automated voice. Please report any issues or inconsistencies here. See more from the L.A. Times in Google Search. Set us as preferred The staging is simple. A circle of nine stately wood chairs on a bare stage. Four actors, affixed with in-ear monitors, occupy different seats as testimony is elicited, provided and undermined. The Senate Judiciary Committee is back in session in “The Ford/Hill Project,” now at REDCAT through Saturday. What follows is some of the most riveting a
Review: José Rivera's 'Marisol' brings the apocalyptic fight to a new generation in Open Fist's revival (opens the original)
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This is read by an automated voice. Please report any issues or inconsistencies here. See more from the L.A. Times in Google Search. Set us as preferred José Rivera’s “Marisol” came out around the same time as Tony Kushner’s “Angels in America,” and both plays, vibrating with millennial anxieties, carry the earthly battle for human survival up to the heavens. There’s a dramatically prominent Angel (Taylor Scott) as well in Rivera’s drama, now in an Open Fist Theater Company revival at Atwater Vi
Review: Aztec Empire rises in gripping spectacle with reimagining of Sophocles’ ‘Antigone’ at Getty Villa (opens the original)
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This is read by an automated voice. Please report any issues or inconsistencies here. See more from the L.A. Times in Google Search. Set us as preferred Evelina Fernández’s “Antigone: In the Language of Kings” receives a theatrically entrancing staging at the Getty Villa’s Outdoor Theater in a production co-produced with Latino Theater Company. The adaptation resets Sophocles’ tragedy to Aztec culture in a transposition that is both visually and musically enlivening. If the drama is oversimplifi
Maestro of the human drama, playwright Samuel D. Hunter isn't afraid to peer into the future (opens the original)
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This is read by an automated voice. Please report any issues or inconsistencies here. See more from the L.A. Times in Google Search. Set us as preferred Samuel D. Hunter writes compact human dramas that pack a maximal punch. Both “Grangeville,” Los Angeles’ most acclaimed theatrical offering of the summer (extended at Ruskin Group Theatre through Sept. 21), and “A Case for the Existence of God,” which opened last weekend in a Rogue Machine production at the Matrix Theater’s Henry Murray Stage, a
Review: A playful reworking of Shakespeare's 'Pericles' at Boston Court Pasadena succeeds until the end (opens the original)
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This is read by an automated voice. Please report any issues or inconsistencies here. See more from the L.A. Times in Google Search. Set us as preferred Actor and playwright Ellen McLaughlin, who originated the role of the Angel in Tony Kushner’s “Angels in America,” has put her own modern spin on ancient Greek dramas. Her “Helen,” a satirical reworking of Euripides’ tragicomedy and the eternal beauty myth, ought to be better known. McLaughlin’s modern verse “translation” of Shakespeare’s “Peric
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