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Carmen Gray

Reporter · GB

Indexed articles, last 90 days
3
Latest publication
Sep 9, 2026
Outlet visibility, for BFI
Top 100K sites
Earliest in this view
Jul 14, 2026

Latest articles

  1. Article · Sep 9, 2026 · By Carmen Gray

    My Undesirable Friends: Part II – Exile review (opens the original)

    Excerpt · Positive tone · English

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    Reviewed from the 2026 Venice Film Festival The highly anticipated sequel to Julia Loktev’s acclaimed, Oscar-shortlisted 2024 documentary My Undesirable Friends: Part I — Last Air In Moscow has premiered at the Venice International Film Festival. The six-hour epic My Undesirable Friends: Part II – Exile is as gripping as the first instalment, and even more sprawling, as its subjects scatter across the globe. With remarkably intimate access, it follows the dozen or so journalists, nearly all wome

  2. Article · Jul 14, 2026 · By Carmen Gray

    How Sam Neill’s 1990s documentary Cinema of Unease reckoned with New Zealand’s film history (opens the original)

    Excerpt · Positive tone · English

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    The laidback grace of actor Sam Neill – droll, unfussed by celebrity, and an advocate of the proverbial underdog – made him a national treasure for New Zealanders, who have always been deeply suspicious of the trappings of fame and of authorities that overstep. When he wrote, co-directed (with Judy Rymer) and walked us as narrator through 1995’s Cinema of Unease: A Personal Journey by Sam Neill – his vividly anecdotal, thoughtful attempt to reckon with the kind of national cinema that had just c

  3. Article · Jul 14, 2026 · By Carmen Gray

    How Sam Neill’s 1990s documentary Cinema of Unease reckoned with New Zealand’s film history (opens the original)

    Excerpt · Positive tone · English

    Read excerpt

    The laidback grace of actor Sam Neill – droll, unfussed by celebrity, and an advocate of the proverbial underdog – made him a national treasure for New Zealanders, who have always been deeply suspicious of the trappings of fame and of authorities that overstep. When he wrote, co-directed (with Judy Rymer) and walked us as narrator through 1995’s Cinema of Unease: A Personal Journey by Sam Neill – his vividly anecdotal, thoughtful attempt to reckon with the kind of national cinema that had just c

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