HeyJaredBronson Creative
Filmmaker and Educator exploring the intersection of Art and Technology...I'm always surprised what I learn
- Indexed issues, last 90 days
- 6
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- Sep 18, 2026
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- Jul 28, 2026
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VHF21 | Public Access For The Internet (opens the original)
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If you’re a filmmaker or a film lover, you’ve probably heard of the Chinese Theater. And if you’re like me, maybe you’ve even dreamt of showing a film there one day. In 2015, I was fortunate enough to premiere my first feature there. And it seemed like everything was going how it was supposed to. I secured that coveted distribution deal we were all talking about. But after it was all said and done, none of it really worked. After looking back at everything, there are a few things I would do diff
FREE FILM SCHOOL (opens the original)
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I’m going to keep this brief, but I am so excited to announce the launch of FREE Film School and VHF 21. If you haven’t checked them out then make sure to head over to www.bronsoncreative.us and give it a look.<img alt="" class="sizing-normal" height="720
Less Is More: Give it Away (opens the original)
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I’ve been making movies for close to 20 years. Some have been seen at the Chinese Theatre on Hollywood Blvd., some are collecting dust, and some can be found at the last Blockbuster in Bend, Oregon. As I continue down a path of education, I decided it’s time to finally learn why creative distribution works this way. Last week we talked about Edison and George, but what else has changed, and is there something we should keep?Bronson Creative believes in paying it forward. This publication
Can Creators Survive When Everything Is Free? (opens the original)
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Bronson Creative believes in paying it forward. This publication will stay without paywalls for as long as possible. If you found value in the work consider being a paid reader to help me continue providing education and films to future creatives. Get involved at www.bronsoncreative.org<div c
YouTube Wants New Creators to Prove They Can Work for Free (opens the original)
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Over the past six years, I have spent a great deal of time researching the economics of creativity. From the early years of cinema to social-media monetization, I kept seeing the same things appear over and over again: systems designed to monetize labor and creations without necessarily compensating the people who create it.Monetize: To utilize something of value as a source of profit.Websters DictionaryOne of the earliest examples I came across involved Georges Méliès and Thomas Edison. I didn’
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