HeyJaredBring Me The Axe! Horror Podcast
Bring Me the Axe is a comedy podcast celebrating the best (and worst) horror from a time when the video store ruled the night.
- Indexed episodes, last 90 days
- 13
- Latest publication
- Sep 21, 2026
- Audience
- Checking…
- Earliest in this view
- Jul 6, 2026
Latest episodes
116: At Midnight I'll Take Your Soul w/guest Aileen Clark (opens the original)
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This week we're joined by our good friend and Laughing in the Dark co-host, Aileen Clark to talk about Brazil and Coffin Joe as we look at Brazil's first-ever horror movie, At Midnight I'll Take Your Soul. In this movie Coffin Joe is the local undertaker, a nightmare man in black with a top hat and cape to match. He's also an atheist who is on the hunt for the perfect woman who will bear him a son and continue his bloodline. But here's the thing, Coffin Joe is a huge jerk and everyone hates him
99CR 67: El Topo (opens the original)
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We're getting real weird with it this week with a look at the life and work of a very troubling director: Alejandro Jodorowsky. Few directors are as storied and mythical as he is. El Topo finds a mysterious black-clad gunfighter stumbling through the desert on his search for four master gunfighters and a path to spiritual enlightenment. In theory, defeating each master will bring him closer to God or it'll win him the love of the strange woman he abandoned his son for. Who can say? It's all so m
115: Invasion of the Body Snatchers (1978) (opens the original)
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This week we look at Phillip Kaufman's remake of Don Siegel's unimpeachable specimen of McCarthy era paranoia, Invasion of the Body Snatchers. In this movie Elizabeth, an employee of the city health office becomes convinced that her boyfriend has been switched with someone else. All over the city of San Francisco people are waking up to find that loved ones have somehow changed. They express no emotion now and spend all their time busily working with other strangers on a sinister project. Elizab
99CR 66: The Cars That Ate Paris (opens the original)
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Come with us to a land down under this week as we head back to Australia for a look at Peter Weir's first feature film, The Cars That Ate Paris. Paris is a small town with a terrible secret. Cars roll off the road at an alarming rate. The drivers are often killed in the crashes or rendered brain damaged. What's going on there? Poor mild-mannered Arthur finds out the hard way when his brother crashes the car and he is the only survivor left to find his way in this town where the people lure drive
114: Fatal Frames (opens the original)
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This week we reach the terminal point for giallo in Italy. This is it, the bottom of the barrel, the definitive end, a bloated vanity project by director Al Festa to showcase his wife, Stefania Stella who ostensibly plays herself in this murder mystery in the style of old gialli. In Fatal Frames we find music video director Alex Ritt, haunted by the recent murder of his wife, drawn to Rome to direct a blockbuster music video for Italy's hotted pop star, Stefania Stella. When he arrives, however,
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