Beyond The Frame
Regular insights into the world of photography: landscapes, camera gear, and the creative process.
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- Sep 23, 2026
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- Sep 7, 2026
Latest issues
Channelling infrared (opens the original)
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There is something unique and somewhat magical about infrared photography. Shooting in monochrome yields rich, high-contrast black-and-white tones that you rarely see in traditional digital photography. Alongside this, you can also lean into utilising false colour (more on this later) where scenes are transformed into surreal, dramatic landscapes that feel like they were captured on another world.One of the added benefits of infrared photography is how it also allows you to shoot outside of norm
Shooting Washi F in 35mm (opens the original)
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Every so often I like to break free from the traditional film stocks from the likes of Ilford, Kentmere, and Kodak, and try something a little different. I’ve come across film stocks from Film Washi in the past, and Washi F was one in particular that caught my attention and that I wanted to try. <a class="image-link image2 is-viewable-img" href="https://substackcdn.com/image/fetch/$s_!dTQ9!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimag
Shooting the Fujifilm GFX 50 SII in 2026 (opens the original)
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I usually avoid long winded posts on gear as a rule, but as a few people have asked me about this camera, I thought I would put together some quick thoughts after around 12 months of ownership. A few years ago, I tested a Fujifilm GFX 50R and was blown away by the output, but at the time, the eye-watering cost of a body and a lens or two pushed me toward the Nikon Z system in the shape of a Z7 II. Fast forward to the end of 2025 and prices on the used market for the GFX have dropped significantl
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