HeyJaredAtelier
Atelier highlights some of the unique discussions that take place at Reid Hall, a third space at the threshold of academia and beyond. With Atelier, we open our doors to listeners anywhere.
- Indexed episodes, last 90 days
- 9
- Latest publication
- Sep 3, 2026
- Audience
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- Earliest in this view
- Jul 10, 2026
Latest episodes
Returning to Reid Hall with Robert O’Meally and Brune Biebuyck (opens the original)
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An institution founded to welcome American women artists once turned Meta Vaux Warrick Fuller away at the door. Decades later, bringing a symposium on Fuller to that same place, Reid Hall, was a deliberate act of reckoning. In this episode, Robert O’Meally, Zora Neale Hurston Professor of English and Comparative Literature at Columbia University, and Brune Biebuyck, director of Reid Hall and the Columbia Global Paris Center, reflect on what the symposium uncovered—and where it might lead next. O
The Wife, the Mother, the Grandmother with David Fuller (opens the original)
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Though archival work can piece together Meta Vaux Warrick Fuller’s work, exhibitions, and influence across generations, some things can only be known through the people who knew her: the everyday details, memories, and stories that bring an artist’s life into focus. In this episode, David Fuller, grandson of Meta Vaux Warrick Fuller, shares personal memories of the woman he knew as a gentle, tireless presence in the family home at 31 Warren Road in Framingham. He describes her quiet dedication t
A Lineage of Black Women Artists with Kelly-Christina Grant (opens the original)
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Artistic influence rarely travels in straight lines. It moves through chance encounters, shared geography, oral advice passed between generations, and letters that outlast the people who wrote them. Understanding how one artist shapes another requires tracing those paths across time and place, and accepting that the connections most worth studying are often the ones history has not yet named. In this episode, art historian Kelly Christina Grant discusses her research into the relationship betwee
The Making of a Catalogue Raisonné with Erika Schneider (opens the original)
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A catalogue raisonné could be considered as an act of recovery, built from scattered archives, family memory, and chance encounters. Tracking an artist's full body of work means deciding, piece by piece, whether something is destroyed or simply unlocated, and living with the uncertainty that distinction requires. In this episode, art historian Erika Schneider discusses her years-long project to build a digital catalogue raisonné of Meta Vaux Warrick Fuller's work, now spanning more than 265 scul
Teaching the Overlooked with Catherine Hahn (opens the original)
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Art history has long organized itself around movements and groupings that determine whose work gets taught, preserved, and remembered. When the gaps in that history align with race, gender, and geography, what gets lost is structural. In this episode, artist and academic Catherine Hahn discusses how she first encountered Meta Vaux Warrick Fuller in a fifteen-minute segment of a Harlem Renaissance course at SOAS in 1993, and how that encounter eventually led her to create a dedicated undergraduat
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