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- Indexed articles, last 90 days
- 3
- Latest publication
- Sep 25, 2026
- Outlet visibility, for Theartsdesk
- Top 5M sites
- Earliest in this view
- Jul 3, 2026
Latest articles
The Urmetazoan, Hampstead Theatre review - unconvincing and underwhelming (opens the original)
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We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. Tonight there’s almost a full moon, and the sky is clear so this waxing gibbous orb inevitably makes me think of space, the planets and the universe. Well, a bit anyway. So I should be responsive to Alex Rugman’s debut play, The Urmetazoan, which is about space travel a
Man to Man, Royal Court review – vividly high-definition revival (opens the original)
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We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. Marching feet, stamping feet, men in black balaclavas, masks, racist chants. In this home atmosphere, and with several European countries witnessing the resurgence of the hard right, there’s no denying the relevance of this revival of Manfred Karge’s 1982 play, translat
The Guilty, Donmar Warehouse review - spine-tingling and gut-tightening thriller (opens the original)
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We’re rebuilding theartsdesk to secure it as a bastion of real culture writing in the face of algorithmic recommendations and AI slop. Your participation is absolutely vital to this - subscribe today and be part of this movement. The best thrillers have not one, but two twists. Often, there’s a predictable twist, and an unpredictable one. So it is with The Guilty, Chloë Moss’s adaptation for the stage of the 2021 film of the same name by Antoine Fuqua, starring Jake Gyllenhaal, which is itself a
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For Theartsdesk, the outlet · Measured Aug 1, 2026
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