HeyJared六星小姐
這podcast簡單來說就是我找人進錄音室聊天本來叫標準化，但很無趣了，會叫六星是因為常常遇到奇怪的人在評論區給我一星，我爸媽跟朋友們都叫我六星公主，但我不好意思取名六星公主所以就叫六星小姐。--Hosting provided by SoundOn
- Indexed episodes, last 90 days
- 4
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- Sep 29, 2026
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- Sep 18, 2026
Latest episodes
One Bodhisattva, Three Bodies: Avalokiteśvara at Alchi: Eleven Heads, Twenty Two Arms and Three Versions of Compassion (opens the original)
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Why are there three depictions of the eleven-headed, twenty-two-armed Avalokiteśvara in a single monument and why are they white, red and blue? In this episode of How Art U, we explore the three Avalokiteśvara images at Alchi. Their unusual forms, colours and placement invite us to look beyond repetition: how did patrons and artists use one deity to give compassion three distinct visual expressions? -- Hosting provided by SoundOn
Made in China, Made for the Straits: The Story of Peranakan Porcelain with Benjamin (opens the original)
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A teapot might be made in China, ordered through Shanghai, and used at a wedding in Singapore. So where does its story belong? In this episode of How Art You, I speaks with Benjamin about Peranakan porcelain and the people who shaped it. From wedding tea ceremonies to afternoon tea, they explore how different ways of drinking tea influenced the forms and designs of these objects and why “made in China” tells only part of their story. -- Hosting provided by SoundOn
Too Beautiful to Use? When a Tea Bowl Becomes Art with Julius (opens the original)
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A tea bowl can sell for more than £10,000, but if you owned one, would you actually dare to drink from it? Originally made as an everyday object, a tea bowl can become a work of art displayed behind glass because of its age, craftsmanship, maker and market value. When an object becomes too precious to use, is it a successful work of art or a tea bowl that has lost its purpose? In this episode, we explore Japanese tea bowls through the aesthetics of wabi-sabi, kintsugi and imperfection. Can somet
Is a Thousand-Year-Old Ceramic Really More Valuable Than Contemporary Ceramics? with Julius (opens the original)
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Imagine two objects placed side by side. One is an ancient Chinese ceramic made a thousand years ago, with no known maker and perhaps even a few cracks or chips. The other is a newly completed work by a contemporary artist, supported by a fully developed artistic concept. Which one is more valuable? The value of ancient Chinese ceramics is often determined by age, kiln, rarity, craftsmanship and provenance. Contemporary ceramics, meanwhile, may derive their value from the artist’s ideas, distinc
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